Spellweaving: Ancient Music from the Highlands of Scotland – European Music Archaeology Project Volume 1

Volume 1 of EMAP‘s series of 5 CD recordings is now on sale, through record shops, at the EMAP exhibition and through online sources such as Spotify, Amazon and iTunes. It features three musicians, Barnaby Brown, Bill Taylor and Clare Salaman. The CD, and the series, is a collaboration between the University of Huddersfield, Delphian Records and EMAP, with funding support coming from all three. Rupert Till came up with the idea, and he and Paul Baxter of Delphian Records have been instrumental in creating the CDs.


The first CD focuses on Pibroch music from Scotland, played on a range of instruments, and Barnaby Brown provided musical impetus for the project.

A video shows the musics recording:

There are 8 Tracks.

1 Hindorõdin hindodre: One of the Cragich (a ‘rocky’ pibroch) PS 53 Ùrlar | A’ Chiad Siubhal S & D | Taoludh Gearr | Crunnludh Fosgailte | Ùrlar

2 Cumha Mhic Leòid (McLeod’s Lament) PS 135 Ùrlar|A’ChiadSiubhalS&D|Ùrlar|BarrludhS&D|Ùrlar

3 Fear Pìoba Meata (The Timid Piper) PS 103 Ùrlar | Dùblachadh | Ùrlar

4 Cruinneachadh nan Sutharlanach (The Sutherlands’ Gathering) PS 72 Ùrlar|A’ChiadSiubhalS&D|Ùrlar|TaoludhS&D|Ùrlar

5 Hiorodotra cheredeche (a nameless pibroch) PS 126 Ùrlar | A’ Chiad Siubhal S & D | Ùrlar

6 Port na Srian (The Horse’s Bridle Tune) PS 107
Ùrlar | Ludh Sleamhuinn S & D | Taoludh Gearr | Ùrlar | Crunnludh S & D | Ùrlar | Sruthludh

7 Pìobaireachd na Pàirce (The Park Pibroch) PS 21 Ùrlar | A’ Chiad Siubhal | Taoludh S & D | Ùrlar

8 Ceann Drochaid’ Innse-bheiridh (The End of Inchberry Bridge) PS 165 Ùrlar S & D | A’ Chiad Siubhal 1–3 | Ùrlar | An Dara Siubhal 1–10 | Ùrlar

Total playing time

All tracks arr. Barnaby Brown from Colin Campbell’s Instrumental Book 1797

[5:03] [15:35] [3:10] [14:54] [3:47] [11:19] [10:59] [9:44] [74:37]

This is a bonus track from the Spellweaving recording sessions. It features Barnaby Brown playing a bone pipe, a replica of the Isturitz vulture bone pipe, the original is about 18000 years old. This is an atonal, Hendrix-esque illustration of some of the more discordant sounds you can make with this instrument.




Barnaby Brown

Highland bagpipe (track 1) Highland great pipe with Iain Dall chanter by Julian Goodacre

canntaireachd (tracks 3 & 8) The Gaelic ‘vocabelising’ of bagpipe music, communicating details of fingering and expression vocally

vulture bone flute (track 5) Vulture bone flute by Jean-Loup Ringot after a 30,000-year-old original found in Isturitz cave, southwest France; made from a Gyps fulvus ulna provided

by the Centro de Recuperación de Fauna Silvestre de la Alfranca and Universidad di Valladolid


Bill Taylor

Highland clarsach (tracks 2 & 8)

26-string ‘Rose’ harp by Ardival Harps, strung in brass and silver

wire-strung lyre (track 3) Lyre (anonymous) after 7th-c.

fragments found at Sutton Hoo, Suffolk, England; bridge by Simon Chadwick after a 4th-c. BC original found at High Pasture Cave, Skye, Scotland; strung in solid gold, silver, brass and iron

gut-strung lyre (track 6) Gut-strung lyre by Guy Flockhart

after early 8th-c. fragments found under the church of St Severin, Cologne, with bridge based on a mid- 8th-c. original found in a chieftain’s grave in Broa, Halla, Gotland, Sweden


Clare Salaman

Hardanger fiddle (track 4)

Hardingfele by Gjermund G. Strommen

hurdy-gurdy (track 7) Hurdy-gurdy with lute back by Chris Eaton

medieval fiddle (track 8) Waisted vielle by Owen

Morse-Brown, after 14th- and 15th-c. iconography



With the Support of the Culture Programme of the European UnionEMAP logo ruperthudd_uni_marque_rgb_withouth